❀ CLICK on a photo if you want to see it in larger size. ------- I may call myself a Blue Elephant at times, but, in a larger sense, only as a part of The Blue Elephant that is our sense of sharing the same atmosphere on earth. ------- Someone accessed their gmail from my computer and now their gmail address is listed as the author/administrator of my blog, and Google will not help change that. The email behind this blog should be jteilers@mac.com
Friday, November 26, 2010
24 November 2010 in San Francisco
[For slide show, click on "24 November 2010 in San Francisco" above.]
My friend Jim Breeden has returned to his artwork in spite of working as a tour guide and historian on Alcatraz, and planning other activities connected with his love of good dining. He used to work for Stacey's Books, and often made large sketches appropriate for books being featured, and the sketches were then displayed in Stacey's windows. The original intent of this blog entry was to show you some of those large sketches that Jim unrolled and showed me, but I had failed to set the camera right, the light was dim, the drawings were on vellum, etc. So, in the slide show that you can see if you tap the title of this entry, there is only a hint of how these sketches look (the one of the Mona Lisa not included).
But then Jim took me to see a relatively new wonder that I did not know about -- the very long and beautiful executed mosaic stairway at the end of Moraga Street (going uphill from 19th Avenue). Then, at the top of those long stairs is a massive wall and beyond it, wooden stairs leading to the top of one of San Francisco's 21 hills - I don't know the name of this one (Martha Hubert has suggested that it may be Turtle Hill). Here again, it was impossible to get suitable photographs of the steps as it was almost the end of the day, the light almost gone. I hope to go back some time to get better photographs.
The names of those who donated for the creation of the stairway are intimately portrayed among the mosaics, unlike most donor recognition plaques, all personalized in a way to convey the nature of the donor, and among the names is that of Jim's deceased beloved, Jeff, as shown among the slides, with Jeff's favorite flowers, daisies, close by in the mosaic.
As you go up the stairs, the view toward the ocean and around is very expansive. I include a photo taken while still on the mosaic steps.
We arrived at the top of the hill so late that we decided we might as well watch the sunset.
To REALLY see Jim's work, he is among those listed at the right on my blog page, "James Breeden": http://www.afterlifestudios.net
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1 comment:
Beautiful! I will look for these when I'm in town next.
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